Darkness is a work for solo classical guitar by Randall Krieger. Also included in Krieger's larger work for music and experimental dance, "When the Reeworks Bend Time."

Here is my arrangement of György Ligeti's Continuum for two electric guitars, originally composed for solo harpsichord. The vast majority of the piece is performed here as various two-handed tapping patterns, taken verbatim from the original score with the two guitars respectively playing the left and right hand harpsichord parts. I hope you like it! The video for this arrangement consists of over 10000 frames rendered in about 220 hours using the 3D fractal rendering software Mandelbulb 3D, and animated using Blender. You can download this arrangement here: https://robertogranados.bandcamp.com/track/continuum-arr-roberto-granados My guitar signal chain is: DI signal - Neural DSP Fortin Nameless Suite - Valhalla Supermassive I am endorsed by Stone Age Guitar Picks. Check them out here! https://stoneageguitar.com/ https://www.facebook.com/StoneAgeGuitarPicks/ https://www.etsy.com/shop/StoneAgeGuitarPicks Follow my stuff! My Website: https://robertogranadosguitar.com Facebook: https://tinyurl.com/y86shwhj Instagram: @rgranadosguitar Inquiries: granadosrobertoguitar@gmail.com -----------------------------------------------

Ripples is a work for solo classical guitar composed by Randall Krieger. The piece uses a "microtonal" tuning: strings 6, 4 and 1 are tuned in octaves to D natural (tuned as in 12-tone equal temperament), strings 5 and 3 are tuned to a perfect fifth between A-quarter flat and E-quarter flat, and the second string is tuned to the natural seventh harmonic of D. The piece features long, resonant sonorities and gesturally-based phrasing that evoke textural "ripples." Ripples was composed for the "Quarantine Composers Collaboration Project," hosted by the Bay Area Composers Group and premiering new works via livestream by composers from the Bay Area. Follow my stuff! My Website: https://robertogranadosguitar.com Facebook: https://tinyurl.com/y86shwhj Instagram: @rgranadosguitar Inquiries: granadosrobertoguitar@gmail.com I am endorsed by Stone Age Guitar Picks. Check them out here! https://stoneageguitar.com/ https://www.facebook.com/StoneAgeGuitarPicks/ https://www.etsy.com/shop/StoneAgeGuitarPicks ----------------------------------------------- Written by Randall Krieger Performed and recorded by Roberto Granados Camera angles by Ernesto Granados

Guitar: 1987 Miguel Rodriguez (http://tinyurl.com/pl9ohhp) Here's 15-year-old Roberto Granados playing Sergio Assad's 'Farewell' on a 1987 Miguel Rodriguez classical guitar at the Guitar Salon International showroom in Santa Monica, CA. http://www.guitarsalon.com/ All proceeds from monetization of this video goes to the GSI Foundation, a non-profit organization that raises money to support music education in public schools. Visit our site for more information: http://bit.ly/2nIJMxR #gsi #friendsofgsi #classicalguitar

Dragsúgur (the wind that comes in through the window) is a piece I wrote for solo guitar that was performed by Roberto Granados​ at Center for New Music (55 Taylor St, San Francisco, California 94102) August 11, 2019. The solo guitar piece was highly inspired by Frank Zappa and Tom Waits so if you like their music there is a chance you might like this piece. Program Notes: Dragsúgur was written for acoustic or electric solo guitar. It features angular rhythms and dissonant chords with a Frank Zappa meets Tom Waits flavor. It features a waltz feel in the beginning, which transitions to a driving rhythmic pulse utilizing invertible counterpoint and harmonics. The ending is a return to the angular waltz but with brief interjections of earlier gestures. Roberto Granados Biography: https://www.robertogranadosguitar.com/biography Dear Subscribers! I am moving off YouTube as my main platform due to copyright holders being allowed to abuse the copyright system and remove videos using my scores along with public domain video content. As these videos are part of my film scoring portfolio, I will be migrating to a platform that protects content creators and allows my work to be seen. Find me on these alternative accounts instead: ⭐️ LINKS⭐️ ▸ Join My Email List: http://feonaleejones.com/contact-email-list/ ▸ Official Website: http://feonaleejones.com/ ▸ LBRY: https://lbry.tv/@FeonaLeeJones:6 ▸ Rumble: https://rumble.com/c/c-499695 ▸ Bandcamp: https://feonaleejones.bandcamp.com/ ▸ Soundcloud #1: https://soundcloud.com/feona ▸ Soundcloud #2: https://soundcloud.com/feonaleejones1 ▸ Bitchute: https://www.bitchute.com/feonaleejones/ ❤ Buy Scores: https://feonaleejones.square.site/ ❤ Download Music: https://feonaleejones.bandcamp.com/ ❤ Donate $: http://feonaleejones.com/donate/ ⭐️ Where did all my music migrate to? ⭐️ ▸ Meshes of the Afternoon (1943): https://rumble.com/vcpwgz-meshes-of-the-afternoon-1943-maya-deren-original-music-by-feona-lee-jones.html ▸ At Land (1944): https://rumble.com/vcn997-at-land-1944-maya-deren-original-music-by-feona-lee-jones.html ▸ Ritual in Transfigured Time (1946): https://rumble.com/vcnplt-ritual-in-transfigured-time-1946-maya-deren-original-music-by-feona-lee-jon.html ▸ A Study in Choreography for Camera (1945): https://rumble.com/vcpw9r-a-study-in-choreography-for-camera-1945-maya-deren-original-music-by-feona-.html